Listen…

Discography Moogulator
as Consequence (1985-2001) • as Moogulator 2001-today •other Projects (1985-today)

Update 2025: for compatibelity I had to remove all players, you can still have a listen at Bandcamp and Youtube and some older random songs @ Soundcloud

Click covers for details & listen: Releases can be ordered via E-Mail!

MOOGULATOR – The Digital Anatomist Project CD – BritzelPop

ConseQuencE – GedankenRauschen CD – dark ambient industrial

ConseQuence / Moogulator – Real?OR.noT! CD – Synthpop

Consequence – Volition CD – Electro – EBM

ConseQuencE – Regression CD – EBM

Moogulator – Mars 2002 – 2010 – prev. unreleased lost tracks

Discography as Moogulator (2001 – Now!)

..more Releases and Tracks buy & download overview

12″ Vinyl

Moogulator / Enzym Split EP, Red Vinyl // Aentitainment

2 Tracks – Qheap & VeCatreQ by Moogulator

12″ Vinyl – White Line Compilation 1 – 2006 broken beats
– Excerpt of all Tracks – Moogulator: last part of this Demo:

excerpts of ALL tracks via Ae.feat. moogulator, mothboy, theatre and its double, Utopia:banished, dbeOrder at/ bestellen via AentitainmentMoogulator feat Track: Spoon Orchestra II WHITE LINE Vol. IA collection of broken music, inspired by electronics and the belief in alternative electronic expression. Featuring Theatre And Its Double, Mothboy, Moogulator, Utopia:banished and dbe, this compilation brings you the latest in alternative electronic broken beats with a slightly dark touch.preview download

Vinyl 7″

by Moogulator / Consequence spotted: order some 5€ plus porto – gegen 9€ / Single inkl. Porto
die tracks sind diese:

• ED11 -„not allowed“ (consequence/volition)/ „color me blood red“ (projekt: Graft)
ebm + industrial style.. straight forward + mind movie – style – vorwärts und chillig/kinomässig

• ED12 -„seductive?“ (consequence) / „Eternity“ (projekt: Cybotech)“seductive“ is ebm style, „eternity“ somewhat more clubby.. 90’s

• ED 13 -„quiet revolution“ (projekt: Karma Propaganda) / second disease (no moogulator project!)
synthpop + hard ebm style (only few singles left – diese single gibts nurnoch in kleinen mengen!!)

info: releases_with consequence + consequence.info// ED magazin….-> die 7″ waren teil des magazins electronic disease! hinweis: „neu“ sind diese releases nicht, siehe links.. aber noch ein paar mags und singles sind wieder aufgetaucht. email reicht an moogulator

buy & download – overview

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Liveset from Wuppertal IDM-Session Radiator Club (the fourth session). The first Set – 125MB, 320bps / 55 Mins – Players: Moogulator, Pattyplanet, Undergrind and Audiotrainer (the Host) @ Wuppertal, 10.5.2009 – mp3 listen

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Interview with Moogulator

Your last album release was six years ago – what have you done since then?I did a lot of live gigs as Consequence, as Moogulator with a lot of new material and as part of “dAdA iNN”. I also have produced film-scores, e.g. for “458nm”, an award-winning animated short-film.As for what has influenced my music during those years I would certainly name the live-gigs and jams with “dAdA iNN”. We have tried out a lot of innovative techniques and sounds. We have left old concepts behind for they have mostly been too studio-focused and developed a new approach to live electronics. That was a very good time and will be continued in the future. During all this time I somehow must have lost my voice, compared with the last album, but who knows, maybe that’s just temporarily.I also did a lot of sound-programming for hardware and software brands and have founded a new print magazine for synthesizers and analogue technique. I bet in the end it all comes down to that one writing on my grave-stone “His life was all about synthesizers”. But seriously – our societies’ death cult with all its pecuniary moments is just overrated! Let’s not make a big deal about this body, let’s just enjoy the people with some good old electronic music! Since seven years you have a new name – how did that happen?Well. First of all the music still is what i have started as „consequence“, but during the last decade I have evolved and all this former studio-work has turned into a more live-based electronic sound. So it sometimes makes more sense to finish a chapter and start reading the new one with a different name. The name Moogulator came to me while i had to register somewhere in some dubious web 2.0 community. At first I only used it there but then I started to like it and used it ever since.Maybe I will have to register somewhere else and choose a different name and maybe this will lead to another project – with me, you never know. I’m not tied to one genre or style, so most of the time I am caught between two stools, well, to be honest, most of the time it’s between three or four stools, and I absolutely got no clue if I am between, over or under them, or even if you call that thing next to me a stool at all. So the more I hear, the more I produce, the more stools – or better – artist names I will probably need…But right now everything’s fine with me being Moogulator. That’s just perfect for now. You are known as the typical live-musician, why did you make a record?I just do what i do what i do. I have to make music, I have to create! It doesn’t matter if it’s for a crowd or for a website, for a 12” or for a CD – It’s all about generating good output and sharing that with the world. If a CD helps – well, why not! And isn’t it nice to finally have the current sound on a record so people can take it home after a gig? I think it’s just right. How do you develop your tracks – what is the story behind that?The basic feeling while producing new material? The older and the more experienced I get, the more I feel secure on stage, and the more I feel that my music belongs there. That’s what gives me the kick. And that’s what comes with every approach to a song. It’s all about what one man can perform at one time.As regards content, I always have this one idea of what I want to try, most of the time it’s something new, just a thought, a special sound or rhythm – that’s where I start. It’s really thrilling to know what this or that sounds in your head and then reproducing it, recording it and telling stories with it. For me music also has to be more than just the good sounding in your ear. Even if I am producing instrumental tracks, I live of the fascination to tell stories, to help reflecting or experiencing – in a good track, the listener can decide if he wants to just experience the sound, or if wants to get to another level and dive into the story behind it. That’s what I try to provide.But don’t take it too serious, after all it’s just music! Some bands really give themselves a hard time by going on about their life in jail, a bad childhood, their ghetto neighborhood and so on. That’s anything but interesting to me – better focus on experiences and trivial things like a job at the patent-office and your experience with the ink-pad there! There are absolutely not enough songs about ink-pads! Or what about religion? What about everyday experiences? I don’t share the idea of abusing music for interaction about car-crashes, sluts and garbage. Hate doesn’t bring you anywhere. Being stuck in the hate-thing just to make music that sells? Bullshit!Well, I always try to provide the listeners‘ mental movie projector with fresh reels and make them spin, pulling a strip of pictures through their lenses so fast something starts moving. It’s all about the sparkling sound-experience! The interview was held in german. Translated & adapted by AENTITAINMENT

Über die CD

von Sascha Sachs, Redakteur “Musician’s Life”: Lehnen wir uns zurück und lassen all die spannenden Spielarten reiner elektronischer Musik Revue passieren. Während der letzten Dekaden sind viele interessante Styles gekommen und gegangen, manches blieb unentdeckt, anderes verblich im Sog des Mainstreams und die ein oder andere Perle moderner zeitgenössischer Musik verzog sich ängstlich in irgendeiner Schublade eines Subgenres.Stellen wir uns vor, wie sich ein Künstler an die Aufgabe heran wagt, die Best-ofs elektronischer Spielarten aufzubereiten und in einem Album zusammenzufassen. Kein geringer als der Synthese-Spezialist Moogulator hat sich diesem Job gestellt. Auf seiner neuen CD „The Digital Anatomist Project“, ist all das vertreten, was längst aus den Schubladen herauswollte. Reminiszenzen an die stepsequenzierten EBM-Nummern der 90er treffen so vehement auf Elemente des Drum & Bass, dass man das Ergebnis schon beinahe Breakcore nennen könnte, wäre da nicht diese Spur Glitch, dort wo sie hingehört, dort wo andere sie vergessen. Einiges, so denkt man, ist ganz klar die IDM-Hymne des jungen Jahrtausends – bis die Nummer nach 90 – 120 Sekunden einen Twist macht, wie ein Psychothriller mit Starbesetzung – und den Hörer erst einmal in die Realität zurück holt.In der echten Welt, so heißt es, sind Konventionen überflüssig, wie ein Kropf. Dieser Maxime folgt auch Moogulator und das zieht sich wie ein roter Faden durch das ganze Album. Über 66 Minuten steht die Zeit still, dann drückt man auf Repeat und hofft das sich die Zukunft moderner elektronischer Musik exakt so anfühlt.